The phones of all time on CNET. Out of the four iPhone 12 models this year, the iPhone 12 is on the more “affordable” side, and it lacks some of the camera pizzazz of the more expensive and models, like the . But don’t think it can’t take some cracking images.of it, becoming one of the highest-rated
If you’ve just gotten your hands on the iPhone 12, here are my tips on how to capture great photos. You don’t need to follow all of them, but keeping these ideas in mind will help you think more about your photography and turn otherwise forgettable snaps into memorable pieces of art.
Nail your composition
The iPhone 12 can take vibrant, well-exposed images with little input from you. But so can most good phones and indeed most stand-alone cameras. The biggest factor that’s going to differentiate your images from someone else’s, then, is the composition of the scene you’re photographing. So take a moment to think about the arrangement of all the different elements in front of you and how they’ll look in your finished image.
Let’s say you’ve gone hiking into the hills and found a nice view. You could just point your phone toward it and take a snap, and no doubt your family and friends would compliment you on what a nice view it was. But spend some time looking at the scene and think how it can become a real “wow” image.
Adding foreground interest (such as an interesting rock formation, a patch of flowers, or a gnarled old tree stump) could help tie the scene together, and using leading lines (like a pathway or a wall) can help draw the viewer’s eye further into your scene. The photographic rule of thirds is worth keeping in mind to help you get started, and to help with this, you can turn on a grid overlay in your camera settings to accurately line the elements up. Bear in mind that despite its name, the rule of thirds is really just a guide, not a rule. Some of the more creatively striking compositions will deliberately break it.
Know when to go wide
The iPhone 12 has a standard view and a superwide view built into its camera, so it’s important to remember to use both these angles and know when it’s best to use them. Switching to the superwide view can transform your image, but it’s only worth using when you have a strong composition that calls for a really wide angle.
If the subject in your image — say, a church on a hillside — is far away, a wide-angle lens is going to make the church seem even farther from you, and it’ll get lost in the frame. Instead, get closer to the church and turn on the wide mode and you’ll find that the church is still the dominant subject in your image. But you can now capture more of its surroundings. Again, strong foreground interest helps with wide-angle photos, so look around; maybe there’s a nice patch of wildflowers that you can place in your foreground and the church can occupy more of the midground.
Control your exposure
While the iPhone 12 is usually spot-on at selecting the right exposure for a scene, sometimes it needs a little help. Complex scenes with bright skies and dark shadows can confuse the camera on occasion. For example, when taking a portrait of a person against a bright sunset, it might choose a good exposure for the sky but leave your subject in shadow. There are a few things you can do in this instance.
First you can try tapping on your subject, telling the camera that’s the part that should be properly exposed. You can also drag the little slider that appears at the side of the box that pops up when tapped. This will allow you to brighten or darken the scene as needed. If the scene looks very bright you will want to bring it down just a touch.
Shoot in raw
If you want greater control over your exposure, shoot in raw format and take manual control over your settings. You’ll need a third-party app to do this, such as Moment or Firstlight, since the default iOS camera app doesn’t offer these features.
Taking manual control of settings like shutter speed, ISO and white balance is helpful in those instances when the camera can be confused by a scene and you can’t get the shot you want. A deep sunset, for example, might look too dark to the camera, so it’ll overcompensate and bring the shadows up too much, which spoils the atmospheric look you had in mind. By choosing the settings yourself you can get exactly the shot you want.
Raw images also don’t permanently save image data for white balance and sharpening, which gives you more control when it comes to editing images later. If I’m taking a shot I know I’ll want to edit for an “artier” look, I’ll nearly always shoot in raw.
Edit your images
A good edit can often be the main factor in turning a ho-hum snap into a dramatic piece of art. And the great thing about editing is that it doesn’t have to be complicated or boring. Even using the basic edit button in Apple’s Gallery app lets you apply cool filters, control highlights or lift shadows, all of which takes seconds to do and can give your shots a boost.
But if you want to take things further, there’s a wealth of editing apps in the App Store that can transform your shots. My personal favorite is Adobe Lightroom, which gives the same suite of granular controls over exposure and color I use in my professional photography. Snapseed is great too, with loads of tools available, and it’s free. Both Lightroom and Snapseed are great for fine-tuning your images to get beautiful, fine-art-style looks without transforming the pictures into something different altogether.
Then there areand , which let you apply wild effects to your images, turning them into outlandish pieces of modern art.
Whether you prefer a more natural look or something quirkier and edgier is entirely up to your own preferences — not to mention your own imagination. Remember, there’s no right or wrong way to edit images and you can always go back to the original and start again if you don’t like what you’ve done, so it’s risk-free to experiment. Ultimately, my advice is make a good cup of tea, settle down in a comfy chair and play around with the tools in the app of your choice to discover what you can turn your images into.
CNET – Photography