5 Affordable Hidden Gems in the Canon Lens Lineup

Canon makes a wide variety of fantastic lenses, but they are rarely cheap, and you can quickly find yourself spending a lot of money trying to build out your lens library. Luckily, after decades of releasing lenses, there are a few hidden gems if you know where to look. Here are five lenses you should check out.The nice thing about Canon’s EF lens lineup is that there are hundreds of different lenses in the library, and with a little searching, you can find some real gems that are significantly more affordable than other options. And the other great aspect is that EF lenses perform very well on RF bodies, so you don’t need to worry about using them in the mirrorless future. 1. EF 135mm f/2L USMOof, do I love this lens. It was my first real professional lens, and years later, when I needed to downsize my kit, I sold it. A month later, I was sitting in a local Cheesecake Factory, meeting someone from Craigslist to buy it again, as I had almost immediately regretted my decision. This lens was often overshadowed by the EF 85mm f/1.2L. And at 25 years old, it might seem a bit long in the tooth. But even to this day, it a fantastic performer and prized by many photographers for its beautiful rendering. And unlike the aforementioned 85mm, it performs quickly and accurately, without a fuss. It is quite sharp wide open (though not clinically so) and becomes much sharper by f/4. It produces deep colors and contrast that are rich and moody, and bokeh is smooth and buttery. It really is a wonderful lens and one that is a joy to shoot with. With lenses like RF 85mm f/1.2L and EF 85mm f/1.2L priced at around $2,000 or much more, the EF 135mm f/2L is a much more affordable portrait or indoor sports option at $999.2. EF 28-105mm f/3.5-4.5 II USMImage by Wikipedia user Thegreenj, used under Creative Commons.I have always liked 24-105mm f/4 lenses more than 24-70mm f/2.8 lenses, just because I find 70mm to be just a little short for a walkaround lens. Most such lenses are around $800-1,000, and if you are just using it as a travel or walkaround lens, you might not be keen on dropping that much money.That is why I love the EF 28-105mm f/3.5-4.5 II USM lens, which is basically permanently glued to my Canon 1V. First, at just a little over 13 oz, it is very portable, an important attribute of such a lens. It has a quick USM motor, produces good colors and contrast, and is decently sharp with a reasonable maximum aperture. Furthermore, it has a non-rotating front ring, making it great for using with a polarizing filter. Don’t expect it to be clinically sharp, but if you are looking for good image quality in an affordable, versatile, and portable lens, this is a great option. You can generally find it for under $100 on eBay. One thing to remember is that because it’s an older lens, Canon will likely not service it if needed. 3. EF 100mm f/2.8L Macro IS USMIf you do not care about listening to me blather on about how beautiful the bokeh is and how magical the rendering is and just want a lens that is going to produce sharp, high-quality results without fuss, this is the one. The 100mm f/2.8L Macro IS USM is sharp, has top-notch image stabilization, weather-sealing, and excellent autofocus performance, making it great for anything from macro work to portraiture. Sure, it does not have the crazy-wide apertures of other portrait lenses, but f/2.8 is plenty for creating subject-isolating bokeh. And that f/2.8 aperture gives it an advantage: it is light and easy to handhold. With great control of aberrations and excellent sharpness, this lens produces quality images no matter what the environment and won’t let you down. At $899, you get a fantastically sharp lens with some of Canon’s best image stabilization that can do anything from taking great portraits to ring shots at weddings or normal macro work. It is definitely one of Canon’s best values. The “Magic Drainpipe”: The EF 80-200mm f/2.8LImage by Wikipedia user Adholmes, used under Creative Commons.A 70-200mm f/2.8L lens is a staple for many photographers in a variety of genres, but they are never cheap. The EF 80-200mm f/2.8L, affectionately known as the “magic drainpipe” due to its shape and great image quality. It is very sharp wide open (arguably more so than even the first version of the 70-200mm f/2.8L), and it offers very smooth bokeh. Colors and contrast are quite good, plus it is a parfocal lens. Autofocus speed, though not as fast as today’s best, is quite good and also accurate. You won’t get image stabilization, but rumor has it that the new R5 and R6 cameras will both have IBIS. Still, keep a fast shutter speed, and you’ll be fine. You can generally get a used copy on eBay for $350-500. Like the 28-105mm, Canon will likely not service it if needed. 5. EF 17-40mm f/4L USMPortable and affordable, the EF 17-40mm f/4L USM is a fantastic alternative for landscape photographers who do not want to shell out the big bucks for a 16-35mm. Released in 2003, it is a bit of an older design and does not reach the ultra-high levels of sharpness of more top-shelf lenses, but image quality is still very good and a huge step up from kit lenses, making this a popular choice for a first pro lens for a lot of photographers. In addition, it is a parfocal lens, making it a great wide-angle zoom for video shooters. It is also weather-sealed and delivers fast, reliable autofocus along with pleasingly smooth bokeh. At $649, the EF 17-40mm f/4L USM is by far one of the cheapest L series lenses currently in production. If you want a bit better image quality, consider the EF 16-35mm f/4L IS USM, which at about $1,000, sits between the 17-40mm f/4L and 16-35mm f/2.8L III and also gives you image stabilization.ConclusionCanon lenses aren’t always cheap, but thanks to the company’s deep lineup, there are some hidden gems to be found. Do you have a favorite? Share it in the comments! 

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